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Received 27/10/06
Now exists a concrete visual representational view of Christ in his last days. Issued by me was an edict, to please construct and paint an episodical over view of my intentions for this painting, entitled by many The Last Supper.
What was my real intention? Did I indeed have intentions other than those given as obvious evidence in pictorial form? Love is the key to this riddle, and to humanities unfoldment now into truth flowing freely, given that love is the key to Jesus Christ's life.
It is now up to each one of you to see love and not fear as the over riding element in your construction of future times.
During my days as Leonardo, problems were associated with representing truths . . . dire consequences resulted when any cross reference was made to biblical matters, and so a frustration built within me, truth, my greatest love was now driven into darkness. So dire were the consequences of speaking out, we, all those who held knowledge - knowledge gained at the expense of many lives, did need to be told now. How to speak of the unspeakable was for me foremost to my mind.
Love is the key to this painting, given the repression given to artists of my time, and even in more recent times. Creative souls could not speak of Jesus Christ without extreme oppression. Given now times are changing, it is needed lifted the veil of misinformation and distortions placed around the life of Jesus Christ. My intentions were these, pure and simple, to release truth, to conceal in a way that those enquiring minds could find and hopefully seek out their own answers. Truth is never tolerated when an existing domination out of fear exists, and shouldn't Jesus Christ have the honour of being given truth fully revealed about his life?
Much is said of my life, intentions and sexuality, much speculation, which if it were not for the importance of the subject matter would be humorous, but I take truth as my only Master. I seek out and support truth, and always have done so. Such is this time of awakening I share some of my hidden truths, so you too may awaken and be appalled at the injustice done to Jesus Christ, and to truth throughout history.
Truth will set you free they say, and it is true, but what is my truth may not be yours, but can I ask of you forbearance, listen, look and see and feel truth deep within your soul.
Jesus Christ was within this painting the main subject right? Well actually NO! The real subject matter behind this painting were my feelings of anger at the suppression of truth at the extent fear was and is used to perpetuate a lie. Jesus Christ, son and heir to the Principalities of Heaven for his great and noble life was defiled, his teachings, his feelings, his life misrepresented, to propel a story far more convenient to a church and system of belief which has long since taken on a life and power of its own, with little substance of Christ's teachings within it.
Love is the key to all of Jesus Christ's life and teachings, pure and simple. He taught love, gave love as an expression of who he was, and he was cheated in my view, his intentions were subverted, and gross violations of his teachings have taken place, so Jesus Christ was not the only principle I was painting about, near Christ to his right was what has been taught is John. A man, clearly this is not so, never has a man been so inclined in my view. I gave this figure, the figure of Mary Magdalene, the delicate features, the manner of a woman quietly disposed to listen to anger spoken against her. I gave into this painting elements or hints to show my real intent, but only glimpsed was the potential, and to a degree. So I will, Leonardo da Vinci, now remonstrate my purpose in real terms based upon knowledge gained and held sacred to me. . . life in the making. How to portray a human man of Divine origin? How to show a teacher of love without incurring the wrath of the unholy catholic church, the prominant force of the times.
My only devise was art, just as through art now through this vessel I give you now my words and vision, through her eyes . . . the hands and eyes of a woman. This is the truth I needed to speak about, the presentation of truth, yes, but of a woman. In my hearts vision of this scene, the man to Jesus Christ's right is his beloved wife Mary.
Not only his devoted and loving wife, but the one soul who was and is equal to him in every way. This scene known as the Last Supper, was really a scene of some considerable pain for both of them. . . an announcement to all of his disciples, that not only was Mary his constant companion and greatest love in human form, but she was and is his divine counterpart. His gift to her was his lineage, but to her he gave the honour and distinction of announcing this woman was God's real choice to deliver his teachings, but also hers. This is the point all seem to have missed, that God does all perfectly, and the perfect union of twin flames, those souls so blessed by God as equal were here in service.
So you see much has been speculated, but the essence of this painting was this, not only did Jesus Christ announce when he parted, his legacy in all of its power was to flow from Mary, it was the ultimate insult to the egos of men, but also a church which had built its power based upon the pyres of truth. Women so suppressed over time and still to this day were coequals, conjoined in a Holy union of minds, bodies and spirit in service to God.
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